MICHAELA KRÁLIKOVÁ
EYE'M
Stop. Open your eyes. Look around.
Before this location became BASE Milano, it was home to the Ansaldo factories, which produced trains, machines and metal structures.
Today it is a space for dance, art, noise, encounters and experimentation. A place that is constantly changing thanks to the people who inhabit it.
Maybe you're standing right where train tracks once passed.
And today, instead of them, movement, sound, and human bodies pass through.
Open your eyes. Spaces remember more than we realize.
An invitation to slow down, to observe and to discover new perspectives in places we know intimately.
Eye'm is a movement-performative installation designed primarily for public spaces, with a strong ability to adapt to the environment of galleries and cultural centers. The central element is a large eye - a headpiece worn by the performer, which creates surreal, slightly absurd figures. These figures move through the space, exploring it and subtly redirecting the audience's attention to details that usually go unnoticed.
The project was created as part of the Reimagining Realities art residency, implemented under the auspices of the Tabačka Kulturfabrik center in Košice in 2024. The output of the residency was a performative pop-up in the form of a work-in-progress, which the performers presented during the immersive 66 hours festival.
The original impulse was to create a sense of trust and safety within the larger festival community. The eye was not intended to be seen at the time, and it was this “non-functionality”, which gradually transformed into fragility, that opened up a playful space for exploring shared responsibility, spatial perception and interaction with the viewer. The eye does ultimately “see”, but only to a limited extent, but its vulnerability remains a key element of the whole experience.
Since then, we have been developing the project in different contexts and its form remains open. As part of the ongoing research, we have had the opportunity to test our concept in several different environments – as a performative intervention in public space, as a guide to an exhibition at the ACMC Conference Vienna , and as an experimental performance with a hint of narrative structure presented at the XVI. Prague Microfestival . Each of these presentations represents for us not only a sharing of the outputs so far, but above all a way to further verify, develop and open the project to new questions and directions.

"We therefore see the project as long-term artistic research, which is based on the need to transform everyday environments into places of meeting, playfulness and shared attention. The audience does not remain in the role of mere observers, but is sensitively drawn into the situation. Their presence, small reactions or movements are naturally inscribed in the composition and course of the performance."
In the current phase of further development, the project was selected in 2026 by the European platform In Situ , which has long supported the emergence and development of art in public space. We want to use this opportunity to further deepen and gradually complete the project through international mentoring and international artistic collaborations. Within the framework of the planned immersive laboratories, we will further develop the movement language of the project, work with objects and sound and deepen the relationship between the performer, the audience and the space. At the same time, we see this collaboration as a space for sharing, meeting and establishing dialogue with artists and organizations across Europe.
CREATIVE TEAM
Concept by: Michaela Králiková
Research and creation: Michaela Králiková, Jana Ryšlavá
Performers: Michaela Králiková, Jana Ryšlavá, Viktórie Szaloczi
Production: MOVE Ostrava
The performance was created with the support of the City of Ostrava and In Situ. The research phase of the project was carried out with the support of Tabačka Kulturfabrik, Malý Berlín, the IZOLYATSIA Foundation, and Trans Europe Halles.
Duration: minimum 50 minutes, depending on the nature of the location









